Tag Archives: taekwondo

Formulas to increase your power and strength!

Newsletter 1012
The Formula for Power in the Martial Arts!

Good morning!
Happy Mother’s Day!

I thought you might like to look at
formulas in the martial arts today.
This is actually pretty hefty stuff,
and you might want to have a dictionary at hand,
especially when I talk about things like
mass, energy, and other physics terms.

First,
energy is the capacity for work.
Work is the amount of weight lifted.
So the deeper the stance,
the more weight your muscles feel.
The more weight you feel,
the harder you work.
The harder you work,
the stronger you get.
This strength is channeled to the tan tien
and then to the rest of the body.

Second,
when practicing,
I move slow.
Moving slowly increases the amount of time
I am lifting the weight of my body.
Thus, I am lifting more,
thus, I am getting stronger.

Third,
when doing forms,
I use dynamic tension.
Dynamic tension is when you use
muscles against muscles,
and even
muscles against themselves.

Fourth,
when doing applications
I increase speed,
because
speed times mass increases the mass.
100 pounds of punch at one second
becomes 200 pounds of punch at 2 seconds.
And so on.

Fifth,
I try to make sure my body is properly aligned.
This creates a connection from the fist to the planet,
or the technique to the planet,
so when I hit somebody,
it actually feels like I am hitting them with the planet.
And when I get hit,
it feels like they are hitting the planet.

Sixth,
I try to use CBM
‘Coordinated Body Motion,’
all body parts move at the same time
starting at the same time
ending at the same time,
contributing appropriate to their
size, mass, angle, and so on.

Seventh,
I try to CBM all the formulas.
Putting them together when appropriate,
focusing on specific formulas when appropriate,
and so on.

And,
of course,
I practice all the time.
The more I practice
the more these formulas and concepts work.

So that’s it.

Oh,
there are lots of other formulas in Matrixing.
But these are pretty specific to action and movement.
And they should help you
when you analyze what you are doing and why.
They should really make your art POP!

Now,
here’s the thing…

I learned the first formula from doing Karate
I learned the second formula from doing Tai Chi Chuan.
I learned the third formula from doing Pan Gai Noon.
I learned the fourth formula from Karate.
And so on.

So you have to study a lot of different arts
to get all this.

You know what?
Evolution of an Art has three arts on it.

Pan Gai Noon
Kang Duk Won
Kwon Bup

It’s a good place to start.
The price of a night on the town
and it will feed your mind and spirit for years.
It will certainly help you make serious inroads
into the formulas I listed here.

Here’s the link…

Evolution of an Art!

Now,
go get your mommy some flowers!
And have a great work out!
Al

Evolution of an Art!

BTW ~ have you read my novel…Monkeyland?

Tai Chi Meaning and Special Offer!

Newsletter 997

What Tai Chi Really is and Means!

Before I get started,
remember that I have a couple of specials
available on my site.
Matrix Karate is discounted,
There is a two for one offer on that page
Read this blog for details.

http://monstermartialarts.com/corona-kung-fu-special/

I do this because lots of people
can’t go to the dojo,
and you need to keep practicing.
A hardy body/immune system
is crucial to beating the Kung Flu.

Okay, let’s talk about Tai Chi Chuan.

Tai Chi Chuan means
‘the grand ultimate fist.’
Some bozos think it is proud brag,
that it refers to Tai Chi being better
than all the other arts.
Nope.
Not the meaning at all.
It’s much more than that.

First,
I have over 50 years in the martial arts.
Probably 45 of them studying Tai Chi.
Lots of Tai Chi.
All the styles.
Read all the books,
and so on.

When I first began Tai Chi,
back about ’74,
I came across a wood carving.
It was old,
a couple of hundred years,
and on it was a bird’s eye view
of the top of a mountain range,
and it looked like a yin yang symbol.

I was like,
what the heck?
How did this carver know what a bird sees?
Well, he was supposed to have studied Tai Chi.
That one concept,
that a person could get so out of his body
that he could look down on the highest mountains,
guided my Tai Chi.
I always had that in mind.
For many years it was just an idea.
Cool, but no progress.
But I persisted.

But changes occurred,
and eventually I began experiencing
what that wood carver must have experienced.

I was doing Tai Chi the other day,
standing in the middle of a road
doing my versions of Tai Chi.
I was higher than the road,
looking down on it
as if from a rooftop.
I mean it was like I was standing
on top of a bowl
that was upside down.
The world just curved away and down from me.
I was up,
the world was beneath me.

So let’s talk about this phenomena.

There is no proof that the world exists.
It’s all just sort of…assumed.
Or,
as I prefer,
imagined.

I mean…you are,
and that’s about all you can say.
But you can’t prove that you are to anybody else.
And,
to be honest,
everything in the whole universe
might be a figment of your imagination.
You know?

BUT…
When you do the Tai Chi form
you push awareness through your body,
which validates your body,
and,
more important,
validates you.

You are the center of the universe,
and by doing the Tai Chi form over and over
(I’ve probably done it 20 or 30 thousand times in 45 years.)
you become aware of this.

Awareness is the crux of reality.
Reality doesn’t exist except as you are aware of it.

Do you understand?

And,
over the years,
Tai Chi makes you more and more real
as the center of the universe.
After all,
it is your awareness that is making your life happen.

This is how a wood carver
hundreds of years ago
can be higher than the mountain tops.

But,
I tell you from personal experience,
it takes time and effort and hard work over time.
And I mean to be redundant.

So,
get started now.
Tai Chi takes less effort than say Karate,
or harder forms of martial arts,
so you can do it longer.

It has direct effect on your body systems.
You will have less colds,
more immunity,
and the hell with this Corona crap.

And,
to help you out,
let me make a special Corona offer.

Order Five Army Tai Chi Chuan
on this page

http://monstermartialarts.com/martial-arts/five-army-tai-chi-chuan/

then send me an email

aganzul@gmail.com

and tell me you want the Matrix Tai Chi course, too.
I will do it.

Download or disk,
you get both courses for the price of
the Five Army Tai Chi course.

Okay guys,
hope to see you over the mountain tops,
and…

Have a great work out!
Al

http://monstermartialarts.com/martial-arts/five-army-tai-chi-chuan/

Terrible Martial Arts Holiday is here!

Newsletter 992

Martial Arts Holiday HanaKwanMass is Coming!

One punch at a time…
one kick at a time…
day by day we get closer and closer…
it’s just a few days until…

HANAKWANMASS!

You old guys know what I’m talking about.
Hanukkah, Kwanza, Christmas!
HanaKwanMass,
the one day out of the year
I get to insult EVERY person who says…
happy holidays.

Happy holidays is a phrase invented so you don’t
hurt the feelings of somebody who believes in Kwanza
by saying Merry Xmas to him,
or offend a Jewish fellow by saying Kwanza,
and so on.

But I say
a holiday is a holiday,
and if somebody says the wrong one to you
he meant well
and you walk away with good wishes,
and the heck with the politically correct bushwah.

You know,
there is a deeper thread here.

A fellow knows karate,
so he bad mouths Kung Fu,
or Aikido or whatever.
A fellow does MMA,
so he looks down on Kenpo or Taekwondo.

These fellows are the garbage minds of the Martial Arts.

When I meet a fellow who studies something I don’t,
I am all over him,
how do you guys handle this?
What about that weapon?
what’s your training like?

Every question I get answered
opens my mind
makes me a batter martial artist.

No art is better than any other,
they are just different steps in the martial arts.

No person is any better,
or worse,
than any other.
We are all cogs in the same machine,
we are all the different faces of God,
we are people…
and HanaKwanMass to us all.
And HanaKwanMass to you
and all your kids,
and your brothers and sisters,
aunts and uncles,
grandparents,
and even your dogs and cats,
and especially to your instructors.

If you understand what I just said,
then you understand the real spirit of the martial arts.

OBLIGATORY AD
(you may skip if you wish,
but you’ll probably wake up tomorrow with a rash.)

http://monstermartialarts.com/martial-arts/hard-punch/
This is for those of you
who wish to develop
the strongest punch
known to mankind,
and even a few aliens.

Al

http://monstermartialarts.com/martial-arts/hard-punch/

On Registering Your Martial Arts Trained Hands and Feet

Newsletter 979

Register Your Hands and Feet if You Know Martial Arts!

This is one of those great myths
that have followed the martial arts
ever since they began.
Seriously.

When I was starting out as a white belt,
a newbie in 1967,
I heard you had to register
your hands and feet with the police
as deadly weapons.
Zowie!
Did that sell me on how deadly I was going to be!
I would walk the streets,
impervious to harm,
beating up anybody who looked at me.
I mean,
if i had to register with the police,
I was going to be one deadly mofo!

Then,
I believe it was the pages of Black Belt magazine,
there was an ad
for registering your hands and feet!
Double Zowie!
I was going to be SUPER deadly!

And,
fifty years later,
I just heard this statement again.
So here’s the truth.

You don’t have to register your hands and feet,
BUT,
if you study the martial arts
and get arrested for fighting,
you could be charged with
assault with a deadly weapon.

It’s true.
But don’t think this is bad,
think,
instead…
ZOWIE
You are going to be such a deadly mofo!

And,
BTW,
if I was ever in a fight
and had to use martial arts,
and hurt somebody,
I would probably leave the scene of the crime
(fearing for my safety)
then consider carefully
whether I should notify the police,
or tell anybody,
and endure all the trouble that might cause.
Just talking…

Here’s my favorite course,
the one I would be thinking about in a fight,
and is incredibly fun to do…

http://monstermartialarts.com/martial-arts/3a-blinding-steel-matrixing-weapons/

Have a great (and deadly) work out!
Al

A WIN!

I was able to matrix now everything I do in martial arts, even managed to start to matrix a complete escrima system out of the basics of blinding steel. You were right, it is a totally different understanding of matrixing, once you master/understand matrix karate. The matrix blocks gave me a lot better insight into wing chun as well, mainly from the mini matrix. That was one heck of a revelation. I hit 3 flies in one go. I understand karate, wing chun and escrima now a lot better and was able to extract that out of the material. thank you very much. I really enjoy the way to the goal now.

“What you habitually think largely determines what you will ultimately become.”
– Bruce Lee

How Karate Becomes Every Other Martial Art

Newsletter 939

Translating Karate into Everything

Hey Guys and Gals!
I just wrote the following newsletter,
and I just wanted to say thanks to you guys,
for being martial artists,
and making my path so worthwhile.
Hope you enjoy…

I was a black belt in Karate when I started Aikido.
I always remember the shock on the Aikido black belt’s faces,
I had a question
and I would walk right up
and ask the question.
If you’ve ever been around the classical,
that’s not how you do stuff.
You bow and scrape.
You practice speaking in a subdued manner.
You treat yourself like a humble dope
so they will take pity on you.
But I was a black belt in karate,
I was equal,
be it in another system,
so I would walk up and break the etiquette,
I would just ask.
Funny thing,
they always answered my questions.
I suppose they couldn’t figure out how to say no,
without themselves looking like a doofus.
So one day I’m asking a question,
and this black belt blinks,
and realizes.
‘You’re a black belt.’
Yup.
Then he took me aside,
we traded stuff madly,
really got into the art.
But here’s the interesting thing:
in Karate,
when you get to black belt,
you start figuring out how to use specific forms in freestyle.
Sure.
You’re intuitive,
you start reading minds,
guy thinks about an attack,
you think about a defense from a form,
and they match.
Not like today when people just fight.
Now,
at black belt I wasn’t interested in that.
Did it,
but wasn’t interested.
I was already reading everything,
looking at other arts,
and I wanted to make other arts work.
Of course,
the big problem was that I hadn’t really studied other arts.
I had read about them.
Big problem.
So doing the Aikido class,
I began to realize that I was performing the same body motions,
but going with the opponent
instead of against.
Instead of colliding with an inward block,
if I did a quick step and made the in block go with the attack,
I had aikido.
Zingo Bingo!
Then I looked at Tai Chi,
figured out the concepts,
applied them to Karate motions,
and I was doing Tai Chi.
And,
yes,
it was that simple.
Everything translated if you understood the concept behind the art.
Went through a few Kung Fu systems.
Did weapons,
and so on.
Matrixing was born,
and I wrote a million words
to describe everything
so everybody could understand it.
Do you study one system?
Silly you.
With a few tweaks you could be studying all the martial arts.
Now,
there are a few things to look out for.

First,
most systems these days
have become so muddied
they don’t have specific concepts.

Second,
most systems don’t have the right blend of forms and freestyle,
they end up with two arts…
the art of whatever their forms are
and the art of freestyle.

Third
most systems don’t stick to the path long enough
to become intuitive.
They end up putting boxing into their training,
mixing in MMA so they can advertise,
and so on.
You can recognize these systems
because people describe by using such terms as /muscle memory.’
Muscle memory is what you have until you go intuitive,
then it’s a whole new ballgame.
Then you are in the now.
And that’s a very zen thing.

The thing is,
when you have a system that works,
you can’t go hunting and pecking through other systems,
you have to do your whole system,
then you have to understand the concepts of the other system,
and you have to understand how these concepts work by physics and mechanics.
Then you have to work your butt off.

When I was figuring this stuff out
I was working out several hours a day,
even if I had no partner.
I would do air forms,
pound the bag,
work with weapons,
and write everything I did down.
And,
therein lies the difference
between a martial artist,
and a fellow who practices the martial arts.
We all start out the same,
going to classes,
blindly groping.
The fellow who practices martial arts,
however,
stops.
The martial artist doesn’t stop.
He becomes more and more obsessive,
finding new things to obsess about,
compelled to learn new things,
always dissatisfied with his progress,
always knowing that the truth is right around the corner,
if he could just see…a…little…further.
Anyway,
that’s the path from Karate to Aikido to everything else.
It’s not an easy path,
if you measure it in bruises and hours,
but it is the easiest path if you are obsessed.
Here’s to you,
I hope you’re obsessed.

Have a great work out!

Al

http://monstermartialarts.com/martial-arts/matrix-aikido/

AN AIKIDO WIN!

Here’s a fellow who illustrates what I’ve been saying…

Hi,
Just wanted to take the time to thank you.  Having now watched and read through the Matrix Karate system it is exactly what I was hoping it would be when I originally made the purchase.  I have begun working my way through the material and am enjoying every second of it!  I have since also bought (I’ve been treating myself each pay day) your monkey boxing and within the last few days your Aikido course.  Both I have found instantly applicable, and although I have only watched the Aikido seminar once so far, I have quickly identified that together they are so much more than the sum of their parts!   Within just a few days of the monkey boxing course arriving, I found that I was suddenly able to lock and manipulate to restrain far higher grades than myself in the club I attend, and now have found I have members of all levels, and even my own instructor asking me to just go over techniques so they can see what I did.  Suffice to say that the guy (every club has one) that is like an immovable object was lying face down the very first time I tried a technique you had discussed… and I see no reason why my skills won’t take on a similar bound forward as I absorb the Aikido course.  ?I am sure you hear such stories all the time from people like me (over enthused with what must seem mundane to yourself) but I really felt I ought to say thank you.  One thing I am not sure if other people have found, but I want to mention, I truly appreciate you laying ‘it all’ out for people, by which I mean I appreciate the reward  (in terms of knowledge) coming from hard work and ‘flight time’ rather than an arbitrary period between Dan Gradings no matter how often one trains in that time before the next chunk of knowledge is passed on.  I will continue to follow your courses and let each build on what went before.
One more thanks for the recommendation to read ‘As a man Thinketh’ I really took a lot from it.
Anyhow, I’ll leave you be, and stop pestering you with my ramblings.
Many thanks one last time,
Adam D.

How Not To Hurt Yourself in the Martial Arts

Newsletter 934

Martial Arts Injuries!

I don’t usually get injured,
And when I do it’s usually something stupid.
I detached a tendon in the fourth finger of my right hand.
Stupid.
And it takes six weeks to grow back.
But,
Every tragedy is an opportunity,
So let me elucidate on that.

First,
When you are injured
You figure out better ways to do things,
You are forced out of the same old same old,
And start to think,
How can I do this technique?
Should I change angles?
Use the other hand in a different way?
And so on.
And,
There is a bump in awareness.
You have to move so that you don’t impact,
But rather match the trajectory
Of whatever is incoming.
So you learn stuff,
And get smarter.
But stupid injuries are still just that…
stupid.

And,
At this point,
Let me offer the injury formula,
If not for your benefit,
Then mine.

Speed plus Ignorance equals Injury.
S + Ig = In

Geez.
You’d think I would have that down,
eh?

Except that it is a caution to go slow enough
to engage your ability to analyze,
And not a guarantee.

Anyway,
That all said,
Let me point out that
‘Chiang Nan’
Is the book that teaches you
how to make karate into Tai Chi.
I’ll be doing a lot of Chiang Nan
For the next six weeks,
And I urge you to look into it.
http://monstermartialarts.com/how-to-translate-karate-into-tai-chi-chuan/
It has a TREMENDOUS amount of knowledge,
And a whole new way of looking at the martial arts.

And,
One other reason I am pushing this book,
I am about to come out with a new one.
So get caught up,
Don’t get left behind.
I’ll let you know about it,
Probably the next newsletter.

Okely Doggone Dokely,
I wave my busted finger at you,
And caution you…
WORK OUT HARD
You never when you’re going to get busted.
(insert a trickle of a tear down my cheek here)

Al

http://monstermartialarts.com/how-to-translate-karate-into-tai-chi-chuan/

How to Create and Name Your Martial Arts Style

Newsletter 927

On Naming a Martial Art

One time I was down at the offices of CFW,
which published the Inside Karate mag,
which I wrote articles and a column for.
One of the guys,
in charge of video,
suddenly called to me.
‘Hey, Al! Got something to show you!’
I went into the video room and he put on a tape.
The tape was a half hour long,
but within a few seconds I knew what it was.
The guy on the tape was a perfect Bruce Lee imitation.
He swooped wooped,
he swung the nunchucks
EXACTLY
as Bruce had swing them in his movies.
Move for move.
He spoke lines from the movies,
and it was eery,
it was almost as if he WAS Bruce!

But,
of course,
he was just a copy cat,
a guy without much of a life,
a guy who didn’t know who he was,
so mimicked others.

That leads us into this weeks subject…
I am very big on people creating their own martial arts.
There is a simple reason for this.
If you just learn what has gone before,
then you are only a copy cat.
But when you create your own art,
when you alter the moves to fit your frame,
when you craft energy to fit your situation,
when you rearrange pieces of arts
to fit changing situations…
then you are an art.
Would Michaelangelo be an artist
if he merely copied everything Davinci did?
Same thing is true for the martial artist.
Yes,
you should learn,
and that usually implies at least getting your black belt,
in Shotokan,
or Aikido,
or whatever art you study.
But,
at a certain point you have to step outside your art.
Keep the original the same as you learned,
but create your own separate art.

Now,
that all said,
let me slide into a connected but different thing.

I subscribe to something called Quora.
On that platform people ask questions,
and answer questions.
You get a wide cross section of what people are thinking,
you get answer,
a whole host of different answers,
to questions mundane and bizarre.

Recently,
a fellow asked the question:

What’s a good name for a fictional karate style that a flow state fighter would use?

This is a very interesting question.
I have had a LOT of people ask me about naming their art.
Since I am about the only one telling people how to be artists
a lot of artists end up up sending me this question.

I remember one fellow,
many years ago,
personal student of mine.
He reached the point where he had to go out
and create his own art,
and he asked me about a name.
He was was coming up with names like…
‘The Way of the Golden Fist,’
and so on.
So I told him to call his art…

‘Rick Do.’
The way of Rick.

Fortunately,
he didn’t.
He teaches his arts
with some very fine labels.
Very smart guy.
Smart enough to know when to ignore me.

So,
anyway,
I got this question on Quora,

What’s a good name for a fictional karate style that a flow state fighter would use?

And I gave the following answer.

Interesting.

By fictional you mean to use it in a book/script? Or for own use?

What I used to do, just for stuff and giggles, was find a word, or even a zippy type word, and get it translated by google. Zippy karate, not to be facetious, but just as an example, translates as ‘bibi.’ So ‘Bi Bi Do.’ (The Way of Zippy!) This can get fun, you can have ‘crouching tigers eating unwary hunters’ translated, ‘D?n fú l?oh? ch? c?x?n de lièrén.’ Then shorten it up as you wish.

If you want to go more serious than my flippy examples you can certainly do that.

Good luck with it, and have a great work out!
Al from monstermartialarts.com

So there you go,
one of the things I do as an artist,
as an author and as a martial artist.
It is great fun,
makes you think,
and might even be worthless.

But I told everybody on Quora,
and didn’t want you guys to feel cheated,
so I pass it on here.

So try it out.
Make up a name for your art.
Focus in on what principles and tricks you want to teach,
and sum it up.
Then have google translate it into whatever language.

And,
while you’re at it,
You can always check out
the ‘Create Your Own Art’ course on the Monster.
It is old,
the video quality isn’t good,
but you can understand it all,
and the principles are SOUND!

Here’s the link.

http://monstermartialarts.com/martial-arts/2d-create-your-own-art/

Have a great work out!
Al

http://monstermartialarts.com/martial-arts/2d-create-your-own-art/

http://monstermartialarts.com

Old Martial Arts Masters Knew More than One Art…

Newsletter 926

The Last Word on Chiang Nan

Got an email from Tom J the other week,
said an interesting thing.

I am getting the picture that “real” true karate, being true to its Okinawan roots, comes very close to stand-up grappling with strikes, I think, also, much of the sensitivity developed in Tai Chi – like exercises was there.

Even though they were not doing Tai Chi as such, lots of practice and thinking through the moves probably brought the Okinawan masters into that level of skill

Which brings me back to your “Everything must be practiced”, admonition. All the pieces are like pieces of a pie and all should be visited in practice.

Thanks Tom.
And he is so right.
People think that Tai Chi is the ultimate,
and it is,
but that doesn’t mean there aren’t others that are the ‘ultimate,’
it doesn’t mean that there aren’t other arts
that don’t elevate the student to the top.

My instructor said to me once:

There are many roads to the top of a mountain.

He had certainly reached the ability,
let alone the sage wisdom,
of a tai chi master.

The problem is that so many people think it is all about fighting.
Fighting is important,
but you go past fighting,
and start to understand how to handle life,
and what person can fight you
if you know how to handle life?
Heck,
a guy throws a punch
and it is an exercise in dissection,
in quick and sure manipulation,
and there is no fight.

And the truth of the matter is that these old guuyts,
these old masters,
who knew so much,
they knew so much because they studied more than just half an art.
Shake Morihei’s tree and you’ll find
the very thorough and complete
aikido jujitsu.
And you’ll find spear fighting,
sword fighting,
and all many of no nonsense studies.
Take a look at the Tai Chi masters,
you’ll find Shaolin,
types of kung fu,
history as bodyguards,
and it’s all to the death.

So don’t think you are going to be a master
if you study just one art.
Oh,
maybe,
but it’ll take half a century,
and then you die.

All of which means you should study ‘Chiang Nan,’

http://monstermartialarts.com/how-to-translate-karate-into-tai-chi-chuan/

Which takes karate and applies tai chi principles to it.
You get a soft way of train a hard art.
You figure out different ways,
sometimes more efficient ways,
to move the body.
You undo the effects of training that has been too hard,
and has resulted in injuries.
You elongate your life in the martial arts.
You learn more than you ever thought there was in the martial arts.

Okay,
enough preaching.
You heard or you didn’t,
and the choice is up to you.

I think,
next time,
I’ll talk about the various courses.
I’ve got so many,
got so many books,
I should probably differentiate them,
maybe acquaint some of the newbies to this newsletter
about the how and the why of matrixing your martial arts.
Until then,
think about Chiang Nan,

And have a great work out!
Al

http://monstermartialarts.com/how-to-translate-karate-into-tai-chi-chuan/

http://monstermartialarts.com

Release of How to Translate Karate into Tai Chi Chuan!

Newsletter 924

About the New Karate to Tai Chi Book!

Hi Guys and Gals.

This is to announce the official release of
‘Chiang Nan’

Chiang Nan is the title I settled on, the working title is
‘How to Translate Karate into Tai Chi Chuan.’
So Chiang Nan,
or ‘How to Translate Karate into Tai Chi Chuan
was originally bundled into the course.
You can get it in PDF if you order the course.

I just published the official book
‘How to Translate Karate into Tai Chi Chuan,’
and it is available on Amazon.
The official title is…

‘Chiang Nan’

and here’s the link…

https://www.amazon.com/Chiang-Nan-Al-Case/dp/198767765X/ref=sr_1_1?ie=UTF8&qid=1523645901&sr=8-1&keywords=chiang+nan

And for those who don’t know what it is about…
As the subtitle says,
it teaches one how to make karate into tai chi chuan.

If you have been studying karate,
this will expand your concepts of karate by ten times.
Different way of looking at form applications.
Different way of doing the form.
Really opens the mind.

If you have been studying Tai Chi Chuan,
you will learn a lot about techniques,
doing other arts tai chi style,
and so on.

Look,
it’s a different kind of strength,
different energy,
a whole and complete education.
If you know just the hard arts,
you need to know the soft.
or you only have half an art.

If you know just the soft arts,
you need to know the hard,
or you only have half an art.

This is a 270 page book
(three in one, actually)
that covers how to translate karate into tai chi,
what the lost form,
the original form that karate came from,
might look,
and the secret techniques of karate…
deliberately hidden by the secret pact
made by Okinawan karate masters.

So check it out on Amazon,
or just get the PDF by ordering the course through
MonsterMartialArts.com.

Have a great work out!
Al

https://www.amazon.com/Chiang-Nan-Al-Case/dp/198767765X/ref=sr_1_1?ie=UTF8&qid=1523645901&sr=8-1&keywords=chiang+nan

http://monstermartialarts.com

Reading Minds the Easy Way in the Martial Arts

Newsletter 920
<h1>Super Advanced Secret Martial Arts!</h1>
One of the things I really like
is when somebody understands what I’m talking about.
Hey, who doesn’t, right?

Some fellow writes and says:
‘I see it, the martial arts are all the same!
Karate, Pa Kua, Aikido, there’s no difference!’

And,
within a fortnight,
this same fellow will be chuckling with glee,
looking at somebody doing an art,
and understanding what that fellow is doing.
He sees a move,
and the whole picture opens up for him.
‘Oh, that guy is doing Kenpo.
Here is the karate variation.
Here is the Tai Chi variation.
And so on.

Once somebody understands that all arts are one,
the door opens.
He learns just by looking.
If he has done his basic work in some art,
say a couple of years getting his basics down,
it is easy as pie
to shift those basics,
and understand entire arts at a glance.

I remember the first time I verbalized this.
I was walking through an outdoor mall with one of my students,
we were passing out fliers.
My student saw a fellow coming towards us.
‘Here’s somebody,’ he said.
I glanced at the guy,
and without thinking, I said,
‘Studies Kenpo.’
My student stared at me.
“Well, he does.”
More stare.
“Ask him.”
So we stopped the fellow and I said,
‘Hey, you study Kenpo, right?’
The guy grinned and nodded.
He had just gotten his brown belt the night before.

But my student couldn’t believe it.
“That was luck!”

Two guys were walking towards us.
“The guy on the right does kenpo, too.
The guy on the left is Taekwondo.”

So we stopped them,
and I was right again.

Now my student was freaked.
“How are you doing that?”

“Well,
it’s sort of the way they walk,
each art walks differently,
but the real key is just a sort of attitude around them.”

I had about 30 years experience at the time,
I was hot and heavy into figuring matrixing out,
and knowing what people studied didn’t impress me.
I wasn’t impressed with myself,
It was just something I could do.
No biggie.

I had practiced the basics,
you see,
and the basics from a large enough variety of martial arts,
that I knew that all arts were one.
And I could see the flavor,
or the slant of a basic,
and I could see the flavor or slant
seeping into the way people walked,
how they talked and moved.
Actually,
it was sort of second realization for me.
The first was just realizing that people were uncoordinated,
walked all wrong,
didn’t understand the physics
of how their joints worked,
how their muscles moved,
of how to move the body without muscles.

The funny thing is,
there’s a few of you out there thinking I’m wacky.
But there’s more of you out there,
who have studied some matrixing,
read the Master Instructor book,
done the course,
that you know exactly what I’m talking about.
Heck,
you guys are my proof.

And,
to tell the truth,
anybody who has done the real martial arts,
not the domination and bully stuff,
but the patient, mind cooling stuff,
can do what what I’ve described here.

The question here is why take thirty or forty years to get there,
you could take a few matrixing courses
realize that all arts are one,
and have this ability in a year or two.

You could get started on any of the courses,
but I like the Master Instructor course,
cause it goes into the right way to use the body,
right away.

http://monstermartialarts.com/martial-arts/4-master-instructor-course/

Have a great work out!
Al

http://monstermartialarts.com/martial-arts/4-master-instructor-course/

http://monstermartialarts.com