Tag Archives: MMA

Formulas to increase your power and strength!

Newsletter 1012
The Formula for Power in the Martial Arts!

Good morning!
Happy Mother’s Day!

I thought you might like to look at
formulas in the martial arts today.
This is actually pretty hefty stuff,
and you might want to have a dictionary at hand,
especially when I talk about things like
mass, energy, and other physics terms.

First,
energy is the capacity for work.
Work is the amount of weight lifted.
So the deeper the stance,
the more weight your muscles feel.
The more weight you feel,
the harder you work.
The harder you work,
the stronger you get.
This strength is channeled to the tan tien
and then to the rest of the body.

Second,
when practicing,
I move slow.
Moving slowly increases the amount of time
I am lifting the weight of my body.
Thus, I am lifting more,
thus, I am getting stronger.

Third,
when doing forms,
I use dynamic tension.
Dynamic tension is when you use
muscles against muscles,
and even
muscles against themselves.

Fourth,
when doing applications
I increase speed,
because
speed times mass increases the mass.
100 pounds of punch at one second
becomes 200 pounds of punch at 2 seconds.
And so on.

Fifth,
I try to make sure my body is properly aligned.
This creates a connection from the fist to the planet,
or the technique to the planet,
so when I hit somebody,
it actually feels like I am hitting them with the planet.
And when I get hit,
it feels like they are hitting the planet.

Sixth,
I try to use CBM
‘Coordinated Body Motion,’
all body parts move at the same time
starting at the same time
ending at the same time,
contributing appropriate to their
size, mass, angle, and so on.

Seventh,
I try to CBM all the formulas.
Putting them together when appropriate,
focusing on specific formulas when appropriate,
and so on.

And,
of course,
I practice all the time.
The more I practice
the more these formulas and concepts work.

So that’s it.

Oh,
there are lots of other formulas in Matrixing.
But these are pretty specific to action and movement.
And they should help you
when you analyze what you are doing and why.
They should really make your art POP!

Now,
here’s the thing…

I learned the first formula from doing Karate
I learned the second formula from doing Tai Chi Chuan.
I learned the third formula from doing Pan Gai Noon.
I learned the fourth formula from Karate.
And so on.

So you have to study a lot of different arts
to get all this.

You know what?
Evolution of an Art has three arts on it.

Pan Gai Noon
Kang Duk Won
Kwon Bup

It’s a good place to start.
The price of a night on the town
and it will feed your mind and spirit for years.
It will certainly help you make serious inroads
into the formulas I listed here.

Here’s the link…

Evolution of an Art!

Now,
go get your mommy some flowers!
And have a great work out!
Al

Evolution of an Art!

BTW ~ have you read my novel…Monkeyland?

What is the Criteria for an MMA Black Belt?

Newsletter 986

The Interesting Thing About Black Belts

I’ve written often about
what a black belt is,
what the requirements should be,
and so on.
Let me say some unpleasant things here.

I volunteered my time
at a local martial arts school.
One night I was sitting with a half dozen MMA instructors,
and the talk turned to black belts.
One fellow had 22 years experience,
but was not a black belt.
Had no plans for testing.
Was quite happy to be a lower belt.
The other fellows accepted this as normal,
but it really made me think.

The fellow had the qualifications,
he knew what he was doing,
but there was some sort of mystique
concerning the longer you wait the better you are.

I asked one of the fellows later
about his promotion to black belt.
He said he had studied for some 20 years,
and suddenly realized that he wasn’t going to get any better.
Oh, he would get smarter,
pick up a few more sly tricks,
but he was now descending,
his body getting older
faster than he could learn.
So he went to the school owner
and told him that he wasn’t getting any better
so he better get his black belt while he was still any good.
He was given his black belt.

Now,
I’ve given you the data,
and maybe you’ve read some of my writing
about a black belt being ‘expert,’
so what does all this tell you?

To me it says that there is too much emphasis
placed on winning,
and not enough on structuring MMA
so that people can be properly evaluated.
That in the MMA (and this includes many brands of Jujitsu)
people are more concerned with who they can beat,
rather than mastering the distinct body of knowledge
that MMA is.
And this is what makes MMA a sport rather than an art.

Look,
being a sport is not bad.
It just sounds bad here because
it is coming through the filter of Al Case
who promotes art as best.

But,
really,
it is all up to you.

Interestingly,
I approached the head of the school I was volunteering at.
I suggested we categorize techniques,
make it easier to teach,
make the body of knowledge succinct and precise
so that we would better teach it.
He agreed,
and it actually fit into his plans for the school,
but every time we started to do something
he found an excuse,
disappeared,
changed the complexion of our meetings,
and so on.

As a sports man
he was unable to become an artist.
And here’s the funny thing,
he had trained in many of the classical arts,
he knew where I was coming from,
even agreed that I was right,
but at heart,
in the core of him,
he was a believer that might makes right,
that beating people up
was more important than teaching them methods
that would create distinct methods resulting in art,
the ability to classify ability,
and so on.

Simply,
it was more important to win a tournament,
than to do an art.

Well,
I’ll leave you fellows and gals
to figure out the worth of what I have said here.

In the meantime,
one of the most exact studies I have done
on what ranking and abililties are
was in the Outlaw Karate book.

Here is the Amazon page for it…

OUTLAW KARATE

There is a complete art in it,
complete with tests,
but see if you agree with how I analyze belt rankings.

Have a great work out!

Al

How to Understand Mastery in the Martial Arts

Newsletter 947

Becoming a Master in the Martial Arts!

You give a guy a hammer,
show him how to build a wall,
let him build walls for a couple of months
and zingo bingo,
the guy is a framer.
He knows how to set down the two by fours,
nail them into a wall,
uses a square like a champ,
pounds those nails in a wack or two,
and he is quick.
He is expert.
One could even say he is a black belt in framing.
Or,
depending on his job,
he might be a black belt in roofing,
or building chimneys,
or whatever.
Expert.
Zowie.

But,
he can’t build a house all by himself.
Not quick and fast
with no mistakes.
But,
he’s got a leg up on everybody else.
A guy who could build a house would be a master.
He is expert in a number of fields.
He’s an expert in framing and flooring and installing sinks
and putting in light switches and…
and everything you might expect to find in a house.

Simply,
he has become expert in a number of fields.
And if he was a good master
he would even know how to get the money
to build the house.
That’s right,
he would contract it out to various experts,
let them do the work,
while he checks up on them every few days.
Isn’t that odd?
To think of a contractor as a master?

And,
yes,
there are a few contractors who build shoddy houses,
they aren’t as expert as they think they are,
but they fool people and get away with it.

So,
that all said,
a fellow who knows one art can be said to be an expert.
He knows Aikido,
he is a black belt in Aikido.
He knows Taekwondo,
he is a black belt in Taekwondo.
And so on.

Here’s the hard part,
he doesn’t know enough different arts,
and so it takes a lifetime to become a master.

Oh, yes,
he’ll make it,
but it’s hit or miss,
he picks up things by listening to what others say,
by reading books,
by stumbling across concepts he might have seen in his own art,
but in which he doesn’t have the art,
or drills and discipline,
to make work.

And here’s something a. lot of guys are going to hate…
MMA, being a bunch of arts put together,
doesn’t make a master.

A master is made by the accumulation
of the various knowledges of the various arts,
MMA is good fighting.
It is not broad knowledge,
but specialized knowledge,
and limited to the rules of the ring.

I’m not knocking MMA,
just saying something that most MMA fighters,
if they are honest,
will readily admit.

But the real point here is not how many fights you have been in,
the real point is how much knowledge you have.
And knowledge is in the various martial disciplines.
If you study karate,
you need to study tai chi and aikido and krav maga and TKD and…
and if you study MMA you need to peruse the various disciplines
from which MMA came,
to find the knowledge behind why you are a good fighter.
Wing Chun, Shaolin, Silat,
all the arts,
they each have parts of the whole,
and they must be studied in order to put
the parts of the whole together
and make one art.

One art out of all the pieces of arts that you know.
All the concepts of all the arts
arranged in order
that they may be understood purely.

That is what a Master knows.
So there are few masters,
for few people take the time to go into all the various disciplines.
Mostly it takes forty or fifty years,
and then the guy dies.
But a few people understand what I am saying,
and a few people understand that matrixing
teaches one not just the various concepts,
but how the concepts fit together.

Here’s a link about some of the people I have taught,
and who have taught me…

http://monstermartialarts.com/martial-arts-instructors/

Have a great work out!
Al

http://monstermartialarts.com/martial-arts-instructors/

Here’s a win I received a few years ago…

A WIN!

Master Case,
I purchased your Matrix Core Course last October and it’s truly amazing and revolutionary material, it’s taken me months to complete, and it covers a lot of martial arts ground.
Then I purchased the Matrix Master Text and it blew my mind even further out.  It helped me understand the core material even better.
I have never paid so much for a PDF download file in my life, but after opening that eBook, and reading it, I realized how much time and energy you really put into your Matrixing work. Your core course and the master text are worth a lot more than what I paid, you have by far over delivered by redeeming my time spent in the martial arts and saving me all that scratching on my head for the coming years ahead.
I will never see the martial arts the same way again.  After over 20 years in the martial arts studying Judo, Jujitsu, Hapkido, Kenpo, Tang So Do, and Taekwondo, I have learned more in these past 11 months, than I have in my entire martial arts career.

Thanks!
Elmer G

The One Thing That Makes Me Mad About Martial Artists

‘Just one thing makes you mad about Martial Artists, Al?’ you ask.

Yeah, really, just one thing.

Do you remember back when you were first starting, and you would encounter the attitude that ‘my school is best/my art is best.’

martial arts anger

I’m so mad I could hit…the air!

 
Now, after having done a few martial arts you have the overall picture, and you know that not one art is best.

And, if you are pretty savvy, you understand that people need to think their art is best, at least in the beginning. It is a mark of loyalty, of fanaticism that is necessary to truly immerse yourself in your studies.

You need that degree of commitment if you are really going to learn anything.

Martial Arts are tough, and it takes a person with zeal to make it through them.

Now, having said that, what is the one thing that makes me mad about Martial Artists?

Well, interestingly enough, it is an extrapolation of that stupidity of which we are all necessarily guilty.

It is an attitude that, since we have done martial arts we know everything.

It is a stopping point that happens after somebody has learned something significant, and then doesn’t know how to proceed, and thus doesn’t want to proceed, and falls back on, here it is, ‘I know that/we have that in our system.’

Yep, it is the refusal to move, the inability to learn more, and simply because we think we know it all.

But if you knew it all you could make an orange appear in your hand. Out of nothing.

Or vaporize a rock, into nothing, without the pesky atomic explosion that might accomplish such folderol.

Now, I encounter that attitude more than most, and this because I have gone past it. There is a residue, you see, which accumulates. And this residue of which I speak insulates those who wish to know, but don’t know how, who have succumbed to the one thing that pisses me off about martial artists.

So, you don’t know everything, and I say, ‘Look, here is this matrixing thing, and it can show you what you don’t know! Doesn’t matter if you don’t know what you don’t know, it works for everybody, and it finds out what you don’t know, even if it is different from what everybody else doesn’t know!’

Most people are polite, think I am just drumming up a little internet business with an internet gimmick, and they simply slide over my claims of a science…and the fact that I have over 600 pages of testimonials, and almost no detractors.

Well, I have a few detractors, but the odd thing–every one of those detractors has never taken one of my courses!

But to return to the sane ones, most martial artists smile, relax in their hard won competence, and say, ‘Oh, yeah, I understand what he’s saying, so I must have that in my art. No need to look.’

But if asked if they have ever seen a matrix graph? Whether they have ever come across something called a matrix of blocks? Whether they have seen the martial arts listed as a geometrical arrangement? They can’t say that they have.

Or, sad, if they have, the graph or arrangement is wrong. It is just a compilation of kenpo (or other) techniques that, given enough techniques, will invariably slide one to the other.

Not a logic, but a happenstance when one has information overload.

Not a slim, streamlined way of understanding all arts, of accessing all arts, but a jumble of everything piled in a bucket so you can’t see the bottom.

Well, there you go, that’s the one thing that makes me mad about Martial Artists. The fact that they have reached the top, and don’t understand it is a beginning for a whole new thing. A relaxation into self-satisfaction, and the end of the climb.

An inability to learn because they think they know it all.

Head over to Monster Martial Arts to find out more about how to start your learning curve upwards again!

Spirit Shouting as a Martial Arts Weapon

The Secret of the Kiai (Spirit Shout)

A work out at sunrise!
What a way to go, eh?
Perfect weather,
perfect environment…
perfect work out.
Really charges me up.
And I trust you had one, too?
And, if you didn’t,
get your butt out there
and start working out!

karate kiai spirit shout

Yell when you strike!

 
I was cruising the net the other day,
and came across a most interesting discussion
on the value of Kiai.
You know,
when you yell so loud
the other fellow loses control of his functions.
Heh.

Interestingly enough,
many people said they didn’t kiai,
and they indicated
by their remarks
that they didn’t even know what it was.

Kiai means ‘spirit shout.’
And let me tell you an interesting story.

I practiced for years and years
and part of every class
was a kiai,
or a ‘ki-yup’
as the instructor said
when counting off the forms.

And I loved it.
I could feel the explosion come together,
I loved how it made the body peak,
brought out more energy.

One day I was walking down the street,
this was in Santa Rosa,
and this bum comes shuffling towards me
and he says,
‘Got some change, man?’
Interestingly,
it was not the usual whine,
but a more forceful request.

‘No,’ I said,
no nonsense.
This guy was young,
could go out and get himself a job,
no need to beg.
Some people are helpless,
this guy wasn’t.

So I get about ten feet past him,
and all of the sudden I hear him say,
‘No? What are you, some kind of pussy?’

Seriously,
a new kind of begging.
If people don’t give you money,
you threaten them.
Maybe it worked for him,
but then he hadn’t run into anybody
who had practicing his kiai
for near twenty years.

‘No?’ I kiai-ed, turning back towards him.
Then I walked towards him,
shouting in full kiai,
filling the street with my voice,
and telling him all sorts of things,
about his character and personality.

Well,
you could see him leaning backward,
it was almost like watching that commercial
where the guy sits in front of a massive speaker
and his hair blows back.
And he finally manages to turn,
and stumble away.
Honestly,
he had lost control of his feet.
Didn’t know what to do.

Then the truly interesting thing happened,
I looked around the street,
there were maybe twenty or thirty people around,
walking along the street,
looking in windows,
and none of them were looking at me.
They were all shaking,
afraid to even look around.

My kiai inspired shouting,
my ‘spirit shout,’
had done that.

Now,
sounds a little too good to be true,
doesn’t it?
So how about if I tell you the secret
of what I did?

First,
I spent some seven years or so
training in the Kang Duk Won.
And we did Kiai’s there.

But any system of Karate will work,
if you remember a couple of things.
Go on,
use
the search box
on Matrix Martial Art
(alcase.wordpress.com)
Search for CBM,
or Coordinated Body Motion.
I learned that in my seven years.
Of course,
when you apply this data to your own karate system
you have to make sure you have
the three elements of power in alignment.
That’s on the Master Instructor Course.

Easy secret, eh?
Just understand what I am saying,
and do it.
Your kiai will grow like nobody’s business.

But,
let me explain,
exactly,
what happens,
so you will really understand
what we are doing here.

But,
before I explain this,
please get yourself a dictionary or something,
cause what I am going to tell you is out there.

You don’t look with your eyes.
You look through your eyes.

You don’t listen with your ears,
you listen through your ears.

Your eyes and ears are meat.
You are the awareness looking through the meat perceptions of your body.

Okay,
if you can handle that,
then we just reverse engineer that concept
to understand the kiai.

You don’t yell with your voice,
you yell through your voice.
If you can yell not as a meat body,
but as an awareness,
then you will have it.
You will have a kiai,
and a personal presence,
that can shatter crowds.

You,
as an awareness,
fill up the lungs and the voice box and…
the entire world.
You fill the world with your presence.
It’s easy to do if you have seven years of GOOD karate,
or…
here we go,
if you practice forms with matrixing,
if you matrix your body with the master instructor course,
if you just understand what you are doing
by understanding the simple things I say here.

And it is simple,
isn’t it?

It’s hard to take…
(I’m not [choke] meat?
I’m not a body?
I’m an…awareness?
I am an ‘I am,’
and that is a the spiritual nature of things?))

But if you can understand that you are awareness,
then you can shift your understanding
away from the mystical martial arts approach
and start to understand the science I am proposing.??Then you won’t need seven years to get there?(if you are lucky,?and actually have a good system)?You can get there in a few months.

Oinkly doggie.
Here’s the URL for
The Master Instructor Course…

http://monstermartialarts.com/martial-arts/4-master-instructor-course/

Remember,
you are an awareness,
an ‘I am,’
the center of the universe,
and the martial arts are a way to know that.
And the Kiai,
the spirit shout,
is a great way to start knowing that.

Now,
have a GREAT work out,
and HanaKwanMass!

Al

http://monstermartialarts.com/martial-arts/4-master-instructor-course/

Martial Arts Testing and Belts and Rank and All that Stuff…

The Truth About Martial arts Testing and Fees!

I recently came across the most interesting discussion concerning Martial Arts testing for belts. It was interesting because it was well thought out, concerned, and because I disagreed with most of what was said.

Sometimes I will make a comment, but in this case I am prompted to tell the truth about Martial Arts testing. What makes this particularly juicy is that the people involved in this discussion were nibbling at the edges of what I did a lo-o-ong time ago, and which is more in keeping with the true spirit of the martial arts.

real fighting

Is Karate the answer to this type of attack?



Originally there were no belts, which doesn’t mean there were no ranks.

Gichin Funakoshi introduced belts which, I believe, came from the a method used by swimming teams.

The first two belt ranks were white and black. This expanded to white, green, brown and black.

Some fifty years ago ranks and belts exploded. Ed Parker and Kenpo Karate led the way with a rainbow of colors. Taekwondo expanded the colors even further.

Now, this is the way it happened, but, there is an incredibly valuable piece of data missing.

I began studies with Kenpo, and was introduced to the belt system, and found it valuable in encouraging people to study.

Isn’t it interesting that people have to be encouraged to study?

But, when I went to the Kang Duk Won, I wasn’t encouraged to study. We had four basic belts, white, green, brown and black, further delineated by stripes, and nobody much cared.

Simply, people who cared about flashy belts left the school, and only the faithful, the ones who didn’t need to be encouraged to study, were left.

Nowadays people treat the martial arts like a business, structure everything around sales and promotion, and the belt is held up as the goal.

Fact: the belt means nothing.

Fact: knowledge means everything.

But these two facts seem to have become twisted, and the belt means everything, and knowledge means nothing.

I didn’t understand my Kang Duk Won instructors thoughts concerning belts, and I didn’t care. I was one of the faithful. I worked out till I bled, and there was no middle ground. There was no entertainment, and freestyle while recognized as a game, was treated like life or death.

Not to beat somebody else up, but to hone your own skills.

Interestingly, this type of freestyle brought one to mushin no shin (mind of no mind), which is an intuitive method, and it was a science, and it was TOTALLY combat effective. When people say their art is not combative effective, or not useful on the street, I know they didn’t study the real art, but rather an art that entertains children.

When I became an instructor I awarded rank according to forms and techniques learned.

As I progressed I realized the inadequacy of that, and I stopped giving out belts. For years I gave no martial arts tests, simply gave a person a black belt when he had the knowledge.

This thing of knowledge is quite interesting.

The number of forms learned, of techniques done, has no relationship to martial arts knowledge.

And I could ascertain the depth of knowledge a person had by simply looking at him.

Just to mention a couple of the actual criteria:
how deeply does a person ‘screw’ himself into the ground when doing his forms and techniques.
Or, what level of intuition has the student progressed to.

And there are other criteria, all coming from the removal of the student from his body.

I know, sounds crazy, but the awareness that is a human being becomes removed from his body through the method of doing the martial arts forms and techniques correctly.

Emphasis on ‘correctly,’ as it requires an experience of physics beyond the normal ‘fist in the face’ ‘apple falls on the head’ physics. This is an entirely different set of physics which I have seen only a few dozen people demonstrate, and none of whom actually understood.

Now, fees. I charge little, if at all. The rationale here is: how can I charge somebody for what he already knows? What he already paid for, and not just in money, but in sweat and blood?

Yet I had one fellow come to me and said he was required to pay $800, plus plane fare to Japan, plus lodgings and meals and all, to take a martial arts test.

For what?

Three old guys would sit behind a table and watch him demonstrate for an hour, then pass or fail with NO comment on why he was passing or failing!

Obviously, these guys loved themselves…and wanted his money. And they called themselves masters.

Anyway, as time went on I got back into giving not belts, but checklists, and then I would just work people to the bone, making sure they screwed themselves into the ground during form and technique, that they reached intuitive levels of freestyle, and other things.

And, eventually, I made these checklists public, selling them as courses, and here an interesting thing happened. Knowledge became able to be transcribed on paper.

Yes, the student still has to work, and those students in it for the entertainment or the belt and so on will have problems.

But a student who actually reads the courses, does the courses, gets the knowledge.

And they usually stop needing to be entertained and become the faithful.

This became an immense and tremendous boon to ANYBODY who possesses these courses.

It eliminated guesswork. It gave workable knowledge.

It enabled the true art to be passed on even if the instructor didn’t have all the knowledge, as it passed on the knowledge to all involved.

Then I come across discussions on how to test.

Man, there are hundreds of theories out there, but all passed on being able to monkey see monkey do a form, and none having to do with the perception of knowledge, of how to actually increase the students awareness.

So I say this: stop entertaining. Get brutal. Search for knowledge and not belts. Award rank for knowledge and not memorized skits.

This is the only way to the true art, and it is the way martial arts testing should be.

Here is a page that will tell you how to find out your true rank without Martial Arts testing.

Martial Arts Testing and Belts and Ranks and All that Stuff…

The Truth About Martial arts Testing and Fees!

I recently came across the most interesting discussion concerning Martial Arts testing for belts. It was interesting because it was well thought out, concerned, and because I disagreed with most of what was said.

Sometimes I will make a comment, but in this case I am prompted to tell the truth about Martial Arts testing. What makes this particularly juicy is that the people involved in this discussion were nibbling at the edges of what I did a lo-o-ong time ago, and which is more in keeping with the true spirit of the martial arts.

real fighting

Is Karate the answer to this type of attack?



Originally there were no belts, which doesn’t mean there were no ranks.

Gichin Funakoshi introduced belts which, I believe, came from the a method used by swimming teams.

The first two belt ranks were white and black. This expanded to white, green, brown and black.

Some fifty years ago ranks and belts exploded. Ed Parker and Kenpo Karate led the way with a rainbow of colors. Taekwondo expanded the colors even further.

Now, this is the way it happened, but, there is an incredibly valuable piece of data missing.

I began studies with Kenpo, and was introduced to the belt system, and found it valuable in encouraging people to study.

Isn’t it interesting that people have to be encouraged to study?

But, when I went to the Kang Duk Won, I wasn’t encouraged to study. We had four basic belts, white, green, brown and black, further delineated by stripes, and nobody much cared.

Simply, people who cared about flashy belts left the school, and only the faithful, the ones who didn’t need to be encouraged to study, were left.

Nowadays people treat the martial arts like a business, structure everything around sales and promotion, and the belt is held up as the goal.

Fact: the belt means nothing.

Fact: knowledge means everything.

But these two facts seem to have become twisted, and the belt means everything, and knowledge means nothing.

I didn’t understand my Kang Duk Won instructors thoughts concerning belts, and I didn’t care. I was one of the faithful. I worked out till I bled, and there was no middle ground. There was no entertainment, and freestyle while recognized as a game, was treated like life or death.

Not to beat somebody else up, but to hone your own skills.

Interestingly, this type of freestyle brought one to mushin no shin (mind of no mind), which is an intuitive method, and it was a science, and it was TOTALLY combat effective. When people say their art is not combative effective, or not useful on the street, I know they didn’t study the real art, but rather an art that entertains children.

When I became an instructor I awarded rank according to forms and techniques learned.

As I progressed I realized the inadequacy of that, and I stopped giving out belts. For years I gave no martial arts tests, simply gave a person a black belt when he had the knowledge.

This thing of knowledge is quite interesting.

The number of forms learned, of techniques done, has no relationship to martial arts knowledge.

And I could ascertain the depth of knowledge a person had by simply looking at him.

Just to mention a couple of the actual criteria:
how deeply does a person ‘screw’ himself into the ground when doing his forms and techniques.
Or, what level of intuition has the student progressed to.

And there are other criteria, all coming from the removal of the student from his body.

I know, sounds crazy, but the awareness that is a human being becomes removed from his body through the method of doing the martial arts forms and techniques correctly.

Emphasis on ‘correctly,’ as it requires an experience of physics beyond the normal ‘fist in the face’ ‘apple falls on the head’ physics. This is an entirely different set of physics which I have seen only a few dozen people demonstrate, and none of whom actually understood.

Now, fees. I charge little, if at all. The rationale here is: how can I charge somebody for what he already knows? What he already paid for, and not just in money, but in sweat and blood?

Yet I had one fellow come to me and said he was required to pay $800, plus plane fare to Japan, plus lodgings and meals and all, to take a martial arts test.

For what?

Three old guys would sit behind a table and watch him demonstrate for an hour, then pass or fail with NO comment on why he was passing or failing!

Obviously, these guys loved themselves…and wanted his money. And they called themselves masters.

Anyway, as time went on I got back into giving not belts, but checklists, and then I would just work people to the bone, making sure they screwed themselves into the ground during form and technique, that they reached intuitive levels of freestyle, and other things.

And, eventually, I made these checklists public, selling them as courses, and here an interesting thing happened. Knowledge became able to be transcribed on paper.

Yes, the student still has to work, and those students in it for the entertainment or the belt and so on will have problems.

But a student who actually reads the courses, does the courses, gets the knowledge.

And they usually stop needing to be entertained and become the faithful.

This became an immense and tremendous boon to ANYBODY who possesses these courses.

It eliminated guesswork. It gave workable knowledge.

It enabled the true art to be passed on even if the instructor didn’t have all the knowledge, as it passed on the knowledge to all involved.

Then I come across discussions on how to test.

Man, there are hundreds of theories out there, but all passed on being able to monkey see monkey do a form, and none having to do with the perception of knowledge, of how to actually increase the students awareness.

So I say this: stop entertaining. Get brutal. Search for knowledge and not belts. Award rank for knowledge and not memorized skits.

This is the only way to the true art, and it is the way martial arts testing should be.

Here is a page that will tell you how to find out your true rank without Martial Arts testing.

Martial Arts Testing and Belts and Rank and All that Stuff…

The Truth About Martial arts Testing and Fees!

I recently came across the most interesting discussion concerning Martial Arts testing for belts. It was interesting because it was well thought out, concerned, and because I disagreed with most of what was said.

Sometimes I will make a comment, but in this case I am prompted to tell the truth about Martial Arts testing. What makes this particularly juicy is that the people involved in this discussion were nibbling at the edges of what I did a lo-o-ong time ago, and which is more in keeping with the true spirit of the martial arts.

real fighting

Is Karate the answer to this type of attack?



Originally there were no belts, which doesn’t mean there were no ranks.

Gichin Funakoshi introduced belts which, I believe, came from the a method used by swimming teams.

The first two belt ranks were white and black. This expanded to white, green, brown and black.

Some fifty years ago ranks and belts exploded. Ed Parker and Kenpo Karate led the way with a rainbow of colors. Taekwondo expanded the colors even further.

Now, this is the way it happened, but, there is an incredibly valuable piece of data missing.

I began studies with Kenpo, and was introduced to the belt system, and found it valuable in encouraging people to study.

Isn’t it interesting that people have to be encouraged to study?

But, when I went to the Kang Duk Won, I wasn’t encouraged to study. We had four basic belts, white, green, brown and black, further delineated by stripes, and nobody much cared.

Simply, people who cared about flashy belts left the school, and only the faithful, the ones who didn’t need to be encouraged to study, were left.

Nowadays people treat the martial arts like a business, structure everything around sales and promotion, and the belt is held up as the goal.

Fact: the belt means nothing.

Fact: knowledge means everything.

But these two facts seem to have become twisted, and the belt means everything, and knowledge means nothing.

I didn’t understand my Kang Duk Won instructors thoughts concerning belts, and I didn’t care. I was one of the faithful. I worked out till I bled, and there was no middle ground. There was no entertainment, and freestyle while recognized as a game, was treated like life or death.

Not to beat somebody else up, but to hone your own skills.

Interestingly, this type of freestyle brought one to mushin no shin (mind of no mind), which is an intuitive method, and it was a science, and it was TOTALLY combat effective. When people say their art is not combative effective, or not useful on the street, I know they didn’t study the real art, but rather an art that entertains children.

When I became an instructor I awarded rank according to forms and techniques learned.

As I progressed I realized the inadequacy of that, and I stopped giving out belts. For years I gave no martial arts tests, simply gave a person a black belt when he had the knowledge.

This thing of knowledge is quite interesting.

The number of forms learned, of techniques done, has no relationship to martial arts knowledge.

And I could ascertain the depth of knowledge a person had by simply looking at him.

Just to mention a couple of the actual criteria:
how deeply does a person ‘screw’ himself into the ground when doing his forms and techniques.
Or, what level of intuition has the student progressed to.

And there are other criteria, all coming from the removal of the student from his body.

I know, sounds crazy, but the awareness that is a human being becomes removed from his body through the method of doing the martial arts forms and techniques correctly.

Emphasis on ‘correctly,’ as it requires an experience of physics beyond the normal ‘fist in the face’ ‘apple falls on the head’ physics. This is an entirely different set of physics which I have seen only a few dozen people demonstrate, and none of whom actually understood.

Now, fees. I charge little, if at all. The rationale here is: how can I charge somebody for what he already knows? What he already paid for, and not just in money, but in sweat and blood?

Yet I had one fellow come to me and said he was required to pay $800, plus plane fare to Japan, plus lodgings and meals and all, to take a martial arts test.

For what?

Three old guys would sit behind a table and watch him demonstrate for an hour, then pass or fail with NO comment on why he was passing or failing!

Obviously, these guys loved themselves…and wanted his money. And they called themselves masters.

Anyway, as time went on I got back into giving not belts, but checklists, and then I would just work people to the bone, making sure they screwed themselves into the ground during form and technique, that they reached intuitive levels of freestyle, and other things.

And, eventually, I made these checklists public, selling them as courses, and here an interesting thing happened. Knowledge became able to be transcribed on paper.

Yes, the student still has to work, and those students in it for the entertainment or the belt and so on will have problems.

But a student who actually reads the courses, does the courses, gets the knowledge.

And they usually stop needing to be entertained and become the faithful.

This became an immense and tremendous boon to ANYBODY who possesses these courses.

It eliminated guesswork. It gave workable knowledge.

It enabled the true art to be passed on even if the instructor didn’t have all the knowledge, as it passed on the knowledge to all involved.

Then I come across discussions on how to test.

Man, there are hundreds of theories out there, but all passed on being able to monkey see monkey do a form, and none having to do with the perception of knowledge, of how to actually increase the students awareness.

So I say this: stop entertaining. Get brutal. Search for knowledge and not belts. Award rank for knowledge and not memorized skits.

This is the only way to the true art, and it is the way martial arts testing should be.

Here is a page that will tell you how to find out your true rank without Martial Arts testing.

Ronda Rousey and Miesha Tate Hate Each Other!

Ronda Rousey and Miesha Prepare for UFC 18!

Actually Ronda Rousey and Miesha Tate hating each other is old news. The two rivals have been at each others throats, literally, ever since women’s fighting at the UFC went big time.

Ronda Rousey, as everybody body a chicken farmer in the antarctic knows, is the gal who wins every match with an armbar. Got a mother who Judo-ed, and she judo-ed, and then she went into the fight game because it was a way to flaunt her charming personality.

Ronda Rousey

Ronda packs more than a punch!

 

Word has it that she pins by armbar because she is afraid of what is going to happen if she actually ever hits anybody. A humanitarian thing, you see.

Miesha Tate, a rough and tumble gal from the old school, is the girl Ronda armbarred back in 2012. Oops.

So it’s no wonder that these two titans of hair curling matches share no love.

The latest forum for their spit and claws is the training camp for UFC 18. That’s right, the Ultimate Fighting Championships…The House!

UFC President Dana White thought it would be fun to have girls coach the thing, so he enlisted Rabid ronda Rousey and Cruel Cat Zingano to be the coaches. Well, actually, Ronda was a shoe in, but Cruel Cat had to beat Malicious Miesha for the honor of coaching against the world ladies champ of twist and pound, Ronda (she ain’t no mousey) Rousey.

So, the stage is set, and the two gals are hiss and fizz POed at each other. Each and every week they trade barbs and insults, and dream about the day they will get to straighten each others curls in the Octagon.

And that day is coming right durned soon!

Dana White has compared the fun and frolics to the now famous season of Tito Ortiz and Chuck Lidell. And he has said of the girls “It’s pure F***ing mayhem every day!”

Well, mayhem is this writer’s meat and potatoes, and he will be following the season avidly and waiting fervently for the season ending match!

Ronda Rousey and Miesha Tate, a match made in cat heaven.

Here’s a great article for gals who want to takedown the biggest guys! It’s from the website Puncher Harder Now!

From Martial Arts Tournament to Full Contact Fighting to MMA

Martial Arts Tournaments…

When it comes to Martial Arts Fighting, the times have changed, and changed again.

martial arts tournaments

Training for a martial arts tournament in 1974

When I first began Chinese Kenpo, back in 1967, you were expected to have control. Develop your power, but have respect for your karate opponent. We were all very careful, and we learned what hurt and what didn’t.

I remember whent he first full contact matches came about. People started wearing protective gear, started neglecting control (hey! They were protected…what did they care?), and the first full contact tournaments appeared.

Full contact didn’t work very well. A good boxer would go in and clean up. He had superior training methods for that specific form of fighting, and he had better conditioning. The karate tournament fighters didn’t really understand about this type of impact.

I remember watching some of the early fighters, and to hurt their opponent they would hit with ridge hands…on the wrist above the glove. No padding, and it worked better. Nobody figured out elbows.

To be honest, the change from no contact to full contact was not good. Pads and gloves changed focus points, and people with years in no contact were usually better than fellows trying to make the change to full contact. Think about it, people studying no contact could do more damage than people who were studying full contact.

But such factors didn’t matter. People want instant gratification, and full contact answered the call. A knock out, you see, is like a home run; people want to come to see the knock out.

So full contact had arrived, but its progress was slow and spotty. There were fights over rules, fighters tried to skew the rules so they would have an an advantage, and nobody really knew what was happening.

Then MMA arrived. Mixed Martial Arts. And the world changed. Training methods sharpened up, rules became more set in stone, and the real art was re-introduced. The thing became not a downgrade of bad karate, but a side step from good jujitsu.

The odd thing is that, for all the blood and teeth spilled in the ring, people much prefer no contact training methods, or at least very limited contact.

Yes, they want reality, but they don’t want to get mugged on the way to it.

And, one very interesting fact: people are finding out that there is more to learn when doing the older less contact artforms.

When you get into it with an opponent in many mixed martial arts schools, the contest tends to degrade, turn into a fight, a controlled fight, but still a matter of who is better.

This is in opposition to one perfecting one’s technique, which is what the true martial art is really all about.

Still, this last manifestation of lessened martial art is but one more signpost on a constantly evolving facet of martial arts training. From Martial Arts Tournament to Full Contact Fighting to MMA to…beyond, this is a sport that is evolving, growing, adapting…and getting better.

MMA